- BRIDGET JONES EDGE OF REASON SCENE AT LAW DINNER MOVIE
- BRIDGET JONES EDGE OF REASON SCENE AT LAW DINNER FULL
- BRIDGET JONES EDGE OF REASON SCENE AT LAW DINNER TV
Did Kidron once look through a viewfinder while shooting this picture? And her peaches-and-cream complexion is blotchy throughout. But in our first glimpse of Bridget here, Zellweger is photographed so that her neck seems to be swelling out from under her jaw. You'd think the people behind a Hollywood feature would know more about making their star look good than a paparazzo does.
BRIDGET JONES EDGE OF REASON SCENE AT LAW DINNER MOVIE
I was reminded of just how luscious when I saw the picture of her on the cover of this week's issue of the tabloid the Star, taken while she was making this movie and weighed 145 pounds. I'm sure I wasn't the only man who thought the 25 pounds Zellweger added for the first movie made her look luscious. And I want to make it very clear that the problem with the way she looks in the movie is not the way she's built or the weight she's gained but the way she's shot. There's been a lot of attention paid to the weight Renée Zellweger gained for these movies. Kidron shows not a trace of feeling or sensitivity to the women in front of her camera. If there's a way to make Bridget look physically foolish, the filmmakers find it.Īnyone who wants to make the claim that women are more sensitive to female beauty than men, from here on out is going to have to contend with Beeban Kidron. That pretty much sets the tone for what follows. When her cameraman is instructed to "zoom in on the sow," we're treated to a close-up of the seat of Bridget's excrement-smeared jumpsuit.
BRIDGET JONES EDGE OF REASON SCENE AT LAW DINNER TV
In the opening scene, Bridget, on assignment for her TV reporter's job, sky-dives and lands in a vat of pig manure. From the get-go, the director of this picture, Beeban Kidron, does. Zellweger's Bridget got into her fair share of embarrassing situations in "Diary," but the director of that film, Sharon Maguire, didn't treat her cruelly.
And the picture also indulges in something the first "Bridget Jones" didn't: humiliating its heroine.
BRIDGET JONES EDGE OF REASON SCENE AT LAW DINNER FULL
Could it actually have been as bad as this? The self-pity the first movie avoided is in full flower here. "Bridget Jones: The Edge of Reason" is so clumsy and crass that it makes you doubt the pleasure of the first movie. But there were enough real laughs to compensate for that broadness - and despite the reputation Helen Fielding's novel had gotten as a whiner's lament, the picture didn't wallow in self-pity and had a good streak of disreputability. It was thrown together, had no style and was often broad enough to make you cringe. It's a measure of how off this sequel is that we wind up wondering the same thing.įor a bad movie, "Bridget Jones's Diary" lingered in the memory pleasantly. The purpose of bringing back Grant's Daniel is to toss a wrench into the machinery of true love and make Bridget wonder if she's made the right choice. He's childishly, unreasonably funny.Īt the end of "Bridget Jones's Diary" Renée Zellweger's Bridget threw over Daniel for Colin Firth's Mark Darcy, the dependable, considerate human-rights lawyer who loved her. The device gives Grant a chance to get off some zingers (particularly one directed at the wildly overrated painter John Currin), and he delivers them with dirty-minded aplomb. He's the host of a show that attempts to make culture cool for the lads-mag set. In this outing, Daniel has moved from publishing to junk TV. He played Daniel as the type of guy that all common sense should tell you was bad news but who you couldn't help enjoying anyway. Grant succeeded in the role of the arrogant, charming and wholly untrustworthy cocksman Daniel Cleaver, as he does here, by being just a bit more raunchy than you expected him to be.
And it did so by allowing Grant to find his inner cad. The first Bridget Jones movie had the same effect on Grant's screen persona as a last-minute reprieve for a dog on his way to being spayed - it saved him from turning forever into a stammering neuter. Hugh Grant trots through "Bridget Jones: The Edge of Reason" - too well groomed to be a stray, too raffish to be a purebred - with the confidence of a stud dog naughtily wagging his equipment at all the available lady pooches.
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